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El Cóndor Pasa (play) : ウィキペディア英語版
El cóndor pasa (zarzuela)

El cóndor pasa is a Peruvian zarzuela (musical play) whose music was composed by Peruvian songwriter Daniel Alomía Robles in 1913 and whose script was written by Julio de La Paz (pseudonym of the Limenian dramatist Julio Baudouin). The piano arrangement of this play's most famous melody was legally registered on May 3, 1933, by The Edward B. Marks Music Corp. in the Library of U.S.A. Congress under the number 9643. This zarzuela is written in prose and consists of one musical play and two acts. In July 2013, the Colectivo Cultural Centenario El Cóndor Pasa (cultural association) re-edited the original script which was lost for a period of time, together with a CD containing the recorded dialogues and 7 musical pieces. The music from the original score written by the author was reconstructed by musicologist Luis Salazar Mejía with the collaboration of musicians Daniel Dorival and Claude Ferrier, and it was re-released on November 14, 15 and 16, 2013 at the Teatro UNI in Lima to celebrate its first centenary. These works (including the re-release of the zarzuela) were possible thanks to the efforts of musicologist Luis Salazar Mejía and cultural promoter Mario Cerrón Fetta (members of the above-mentioned cultural association), who did not received any public nor private support.
This zarzuela included the famous homonymous melody based on the traditional Andean music of Peru, where it was declared National Cultural Heritage in 2004.
It was estimated that there are more than 400 versions and 300 lyrics around the world. The parade scene doesn’t have original lyrics, all of its existing lyrics should be considered apocryphal in every language. This song is considered the second national anthem of Peru, as it identifies Peruvians worldwide.
==Background and performance history==
The piano arrangement of this play's most famous melody was legally registered on May 3, 1933 by The Edward B. Marks Music Corp. in the Library of U.S.A.Congress, under the number 9643. In July 2013, the Colectivo Cultural Centenario El Cóndor Pasa (cultural association) re-edited the original script which was lost for a period of time, together with a CD containing the recorded dialogues and 7 musical pieces. The music from the original score written by the author was reconstructed by musicologist Luis Salazar Mejía with the collaboration of musicians Daniel Dorival and Claude Ferrier, and it was re-released on November 14, 15 and 16, 2013 at the Teatro UNI in Lima to celebrate its first centenary. These works (including the re-release of the zarzuela) were possible thanks to the efforts of musicologist Luis Salazar Mejía and cultural promoter Mario Cerrón Fetta (members of the above-mentioned cultural association), who did not received any public nor private support.
This zarzuela included the famous homonymous melody based on the traditional Andean music of Peru, where it was declared National Cultural Heritage in 2004.
It was estimated that there are more than 4000 versions and 300 lyrics around the world. The parade scene doesn’t have original lyrics, all of its existing lyrics should be considered apocryphal in every language. This song is considered the second national anthem of Peru, as it identifies Peruvians worldwide


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